Eric Allix Rogers
February 15, 2017

Schlitz stained glass at 9401 S. Ewing [Eric Allix Rogers/Chicago Patterns]
How much should be read into the disappearance of a single stained glass window? For the forlorn Bamboo Lounge at 9401 S. Ewing, could it be a warning of worse to come? A distinctive time capsule of a neighborhood tied house tavern, the building clings – for now – to the ragged frontier between the industrial past and the uncertain future of Chicago’s far southeast side. But for how much longer?
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Chicago Patterns Staff
January 5, 2017

Every year brings new buildings and the demolition of others–it’s the continuous cycle that transforms inanimate structures into the growing and evolving organism of a city. In times of wealth and prosperity the number of construction and demolition permits grow, and in times of recession they dwindle.
Last year this cycle repeated largely as it has in years past. But there were a few themes in the destruction of Chicago’s architectural heritage: late 19th century Worker’s Cottages, grand South Side homes, Italianate row houses, and a few sparkling Victorians on the North Side.
It wasn’t all losses in 2016–there were a few wins, particularly neglected or damaged churches that will live on through adaptive reuse.
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Rachel Freundt
October 11, 2016

[Rachel Freundt/Chicago Patterns]
The
James Charnley House, constructed between 1891-92, in Chicago’s Gold Coast is an important design in the development of modern architecture. Charnley was the first house anywhere in the world to embrace modernism in its complete elimination of historical detail and emphasis on abstract forms and geometric simplicity, anticipating the architecture of the 1920s and 30s. Yet 125 years later there is still controversy surrounding Charnley’s authorship. Adler & Sullivan are the architects of record. The commission was widely published in architectural journals of the time, like the August 1891 issue of
Inland Architect and the January 1892 issue of
Architectural Record. The design actually received more publicity than some of the firm’s larger commercial works. However, Frank Lloyd Wright’s name is forever attached to the Charnley House. Although chief draftsman at the time of the construction, Wright’s name was not officially linked to Charnley until 1932 when he claimed in
An Autobiography that he solely designed it. Sullivan could not refute this bold statement by his former assistant as he had been dead for eight years. For the next fifty years, historians accepted Wright’s words without question and Sullivan’s contributions were minimized at best. Of course a single person does not design a building. Architecture is a collaborative process. There are many hands in the pie, so to speak. But that doesn’t take away from the facts.
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Gabriel X. Michael
October 4, 2016

West elevation, John Wingert House at 6231 North Canfield Avenue. [Gabriel X. Michael/Chicago Patterns]
It’s one of the farthest neighborhoods from downtown Chicago, bordering the city limits, O’Hare Airport and suburbs of Harwood Heights and Norridge. But Norwood Park can also be considered one of the city’s oldest areas, where you will find remarkable 150-year-old examples of early American homes in every Victorian-era style. Continue reading »